@VKpopfanboy I’m just a Vietnamese who is curious about Vpop interfan. Wow I didn’t know there was a website like this. Thanks to whoever create this. I’m a Sky, but I will not be bias, I don’t think Vpop can promote groups like Kpop. I don’t know, that things just not suit for Vpop. But solo artists? MTP Ent can do it. In Sơn Tùng’s latest Vlive, he said he really hoped that his company will help the younger artists in their careers. But maybe 5 years later because he and his company aren’t good enough in the moment.


If SNSD had at least made that random switch a drop, it could have been better, but even then the change doesn’t seem to belong in the song.
I also remember in “Ngày Mai Em Đi,” the first time I ever listened to the 2017 remix I thought the bass would drop again. I love the song enough without a second drop, especially with the guitar being so good, but I was a little disappointed.
And the Masew mix of “Đường Một Chiều.” Transitioning to the rap section of the song, I sort of thought that the bass was going to drop despite there not being enough build-up for it to be proper, but thank GOD the drop that came after the rap. It was so good. I had to adjust a little to the next drop because it was the complete opposite of what I expected, but I love both drops equally (for the most part) now.
I bet there are a few more examples I should know about that I didn’t mention here, particularly because I’ve listened to examples of drop fakers that were much more vicious than the examples I remembered, but oh well. Hopefully I remember them later, if ever.
I don’t draft these paragraphs like at all forgive me


Erik DCM

The last time we saw Erik in Chạm Đáy Nỗi Đau, he buzzed off all of his hair in a mental breakdown of epic proportions à la Britney Spears in 2007…

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